Tuesday, January 13, 2026

LDS Geeks Podcast #57: Animorphs Re-Read (7)


I love Hork-Bajir Chronicles and The Pretender. I was very excited to record this episode, even if it also included the Helmacrons. "The Pretender" may be my favorite book, up there with "The Change". I hope you enjoy our discussion as much as I enjoyed the book.

--Spencer


Listen to Episode 57 on Spotify and Apple Podcasts.

Subscribe on SpotifyApple Podcasts, and YouTube

Check out Spencer's recent blog posts: click here

Check out Russell's recent blog posts: click here



Show notes:

00:12 - Introductions
01:57 - Spencer's Recommendation: Citizen Soldier
        Listen on Spotify
04:27 - Russell's Recommendation: "Gratitude" performed by BYU Vocal Point
        Listen on Spotify
06:22 - The Hork-Bajir Chronicles
13:57 - #23 - The Pretender
21:51 - #24 - The Suspicion
28:31 - #25 - The Extreme
39:54 - Conclusion


Follow along: Animorphs Book Club Reading Schedule

Animorphs Re-Read Podcast Series:


Friday, January 9, 2026

9 Magnus Chase Memes by Me


I had another post about identity planned for today, but apparently it needs more time to marinate in my brain. Instead, I pulled out some memes I made while listening to the Magnus Chase trilogy, a spin-off of Percy Jackson. It was an interesting take on demigod life and a great crossover with Percy and Annabeth (but that's a conversation for another time). For now, please enjoy these memes, made by me.










Okay, so most of the memes are about Alex. But he/she is pretty fierce and sarcasm makes for great memes. I look forward to re-reading this trilogy.

Monday, January 5, 2026

Why are Isekai Shows Lame?

This may come across as harsh, but I’ve been an anime fan since before it was cool. I still get embarrassed showing this nerdy side of myself because, growing up, you were made fun of for watching anime. Times have changed, though, and now it feels like an entire nation suddenly watches anime—like it’s somehow cool now? I still don’t get it. But one thing I do understand is that the quality of isekai shows has been steadily diminishing. They turned a beloved genre into a cash grab, because who wouldn’t want to watch a story where the protagonist is transported to another world, gains magic, and becomes powerful enough to save everything? And yet, somehow, they keep taking an interesting premise and making it boring, dare I say, even lame.

I recently tried watching a show called “My Gift Lvl 9999 Ultimate Gacha.” Technically it’s not an isekai, since the protagonist doesn’t come from our world, but it still hits all the typical isekai problems. So, for this post, I’m going to talk about why I didn’t finish this anime and what changes could have made it unique and actually good. Honestly, this applies to most isekai anime. So while I’m ranting about this specific show, know that the same issues plague the genre as a whole.

For context, I’ve written about isekai problems before, but in this post I’m focusing on different issues than the ones I covered in When Power Fantasy Animes Become Weak.

The Title of the Show

Why in the world do we need a plot summary for the name of a show? What is going on with anime titles? We’ve got things like “I Don’t Want to Get Hurt, So I’ll Max Out My Defense,” “Reborn as a Vending Machine, I Now Wander the Dungeon,” and “I’ve Been Killing Slimes for 300 Years and Maxed Out My Level.” No one asked for this. We could simplify these to “Max Defense,” “Vending Machine Reborn,” and “Slime Killer.”

Even “My Gift Lvl 9999 Ultimate Gacha” could easily be shortened to “Gacha Is My Gift.” We already know the protagonist is going to be maxed out, it’s basically a requirement for isekai‑adjacent shows. We don’t need it spelled out in the title. Can anime studios and manga authors please put a little more effort into naming things?

Boring Side Characters

Let me just unload the biggest problem with “My Gift Lvl 9999 Ultimate Gacha.” The side characters are painfully boring. After the first episode, the protagonist, Light, gets a level‑9999 servant named Mei. She could kill him instantly. She seems completely independent from the start. And yet, instead of leaving, she wants to be his servant simply because she’s a maid and “that’s her role.” Then, in the next episode, three years have passed and Light has created a whole town full of high‑level gacha characters—all of whom share one single trait: how much they adore their master. They even get upset if they don’t see him.

That is such lazy writing. Why can’t they have different personalities? Why do they all have to love Light so much? It’s never explained. They’re all willing to go to war for him for no reason other than “he summoned them.”

To fix this, they could have hinted at the end of episode one that Mei is compelled to fixate on Light—trapped in a magical or psychological bond that forces her loyalty, while secretly wanting to escape. That would mirror Light’s own trauma from being betrayed by his former party, but in a darker, more personal way. If they had planted that seed early on, the show would be far more interesting because it would introduce tension, moral ambiguity, and actual character conflict instead of blind devotion. Instead, we get mindless, lustful drones.

Plain Protagonist

I’m not going to go into too much detail here, because I’ve talked about overpowered protagonists before, but I do want to point out one thing: why do they all look the same? Short dark hair, pale skin, generic face. We don’t need to copy Sword Art Online’s Kazuto every single time. There’s room for variety.

Conclusion

Sometimes I wonder why I still watch isekai‑like shows. Why am I still watching anime at all? It feels like since COVID, there hasn’t been a truly good isekai. Maybe the best so far is “Lord of Mysteries,” but even that show jumps around a lot. I could easily be wrong—I might have missed a gem or two—but most of them seem to suffer from the same problems I’ve talked about here.

Please comment with your favorite recently released isekai. I’m genuinely looking for something good.

Friday, January 2, 2026

Fourth Doctor Revisited: "City of Death"


Welcome to 2026! How did we get here already? Wibbly wobbly timey wimey, of course. 

Thanks to some unfortunate insomnia, I've had some time to finally work my way through more Classic Doctor Who. Though I'd rather sleep, maybe it's Heavenly Father's way to forcing me to take some self-care time (I'd rather self-care with sleep, but He knows better than me). Recently I watched "City of Death" and had some more random thoughts about it (even more random than usual).

The "time slip" was an interesting mechanic. I kind of wish it had been used more throughout this story. Or maybe a story centered around it, a la Groundhog Day. With how the humans didn't seem affected by it, maybe this is the explanation of human Deja vu?


A plot to steal (and replace) artwork. Talk about a long con! One of the tools used in the heist made me chuckle. They used a "sonic knife" and all I could think about was Captain Jack Harkness, commenting on the Ninth Doctor's screwdriver: "This [knife] could be a little more sonic." Would've loved for the Doctor to commandeer it. Just because.

As if it weren't convoluted enough that Da Vinci painted about half a dozen copies of the Mona Lisa, modern viewers of Sarah Jane Adventures will remember when she came for revenge. Connecting the two stories, I have to wonder if all seven portraits used oils from sentient meteorite or if it was just the one that Sarah Jane's crew would encounter. Seven vengeful portraits is significantly more intense than the single.


Just like Clara Oswald in the modern series, Scaroth was splintered across time and space. Unlike Clara, the consciousness of his splinters were still telepathically connected and conscious of each other. Makes a long con like this easier over the centuries. Since the Doctor would eventually stop him, I can't complain too much about his meddling, since he apparently gave us some of our technological advances. 

I enjoyed Duggan tagging along with the Doctor and Romana. I kind of wish he'd become a companion to the Doctor. I don't know that we've had a detective on the TARDIS team before. Plus can you imagine the Doctor scolding Duggan across time and space for his impulsive fists. Though maybe after Duggan threw the most important punch in history, maybe the Doctor would've allowed it--kind of like how he would allow Ace's explosives (even though he'd say she couldn't have them).


There's still one question I need answered though: Why was it called "City of Death"? Of course there was death--it is Doctor Who after all--but it wasn't like all of Paris was dying. Was there a different plan for how the episode was supposed to go and the name never changed? Not important. Just curious, as I move towards the end of the Fourth Doctor.

This episode is also the origin of this iconic Fourth Doctor meme template.