Showing posts with label Rob's Posts. Show all posts
Showing posts with label Rob's Posts. Show all posts

Friday, December 15, 2023

Character Spotlight: Teen Girl Squad

One of my favorite tropes in any kind of media or storytelling medium is the story within the story. A character is a writer and as you stay with the story you eventually become familiar with the work of that character. It creates a whole new facet of the book. The world feels deeper as a result of seeing this person through the lens of the works they choose.


That’s Teen Girl Squad, within Strongbad’s world. Teen Girl Squad is zany, totally random and surreal. It happens on the pages of a college ruled, spiral bound notebook, as if Strongbad was passing the time during a boring junior high biology class by drawing the girls in his class suffering their ends by dinosaurs, robots, a middle-age balding, pocket-protector wearing man breathing a swarm of arrows, the list goes on and does not get less weird.


And it’s hilarious. Anybody who knows a male under the age of, oh, sixty-five will probably attest that he has a significant portion of his brain devoted to this kind of humor. The jokes don’t make sense, the humor is definitely childish and wildly aggressive.





The bonus is that Strongbad does all the voices, and occasionally makes cameos in his own comic. Despite inflicting numerous battle scars, he still has the idea that he would be a great date for Cheerleader, or The Ugly One (following her sweet-someteen birthday party glow-up).




So, if you’ve never heard of Teen Girl Squad, it will probably be hard to get into unless you can put yourself in the mind of a thirteen or fourteen year-old boy. If you can’t do that, imagine if Mean Girls was piloted as a cartoon with a budget of approximately eight dollars, but still managed to become an internet classic because they assigned the Brothers Chaps to direct and produce it.


Friday, October 27, 2023

Friday Creature Feature - Face Stealer

I would like to introduce you to Koh. He’s a spirit about as ancient as they come, he’s got a voice as deep and velvety as a pocket full of stars, and a great memory.

Also, he collects faces. People, animals, all of the faces are fair game. Let’s spend some time with our creepy friend,  because it’s SPOOKY season, and there’s plenty spookiness in the one they call the Face Stealer.


Avatar Aang enters the spirit world for the second time in Season 1 of ATLA on a mission to speak to Koh, the ancient spirit. He learns that Koh is the one… person… who can reveal where the moon and ocean spirits’ physical forms reside. With this information, Aang will be able to thwart Admiral Zhao’s plan to subjugate the northern water tribe.


And so Aang finds Koh. It turns out that Koh is one of the creepiest beings in the Avatar universe. And, thankfully, Aang learns about Koh’s odd habit before they meet. He has a very specific formula for stealing faces. He allows mortals to come to him for requests of all kinds. Those mortals foolish enough to allow him to see displays of emotion on their face lose it. 





Koh greets Aang, and indicates he has met the Avatar before, and has kept the face of the past Avatar’s lover as a trophy.


Koh is in the approximate shape of a giant centipede, and if your skin isn’t crawling yet you may be totally dead inside. Since you obviously require more unseemly details, Koh proudly swaps out faces he has stolen by “blinking” through them. Any creature that uses eyelids in weird ways like this is, scientifically speaking, is unrefined nightmare fuel. It's not really clear whether Koh believes in testing mortals, punishing them, or using them for a wildly violent form of entertainment.


One of the most brilliant parts of Koh testing Aang is that the ever-whimsical Avatar wears his emotions on his sleeve. Aang’s childlike playfulness and exaggerated exuberance show in so many goofy expressions you can't watch this scene without being on the edge of your seat. Koh challenges Aang to manage his spontaneity and impulsivity, and does not pull any punches in terms of trying to catch Aang with his guard down.



This character was so deliciously and maliciously portrayed I’ve been waiting for ATLA to reintroduce him since that single episode. Researching for this post led me to discover that Koh and Aang do have further encounters featured in a web-based game, which you can watch as a video without interruptions from pesky gameplay mechanics. The game itself is called “Escape from the Spirit World.” It takes place in between seasons two and three of ATLA. Koh returns several times through this game with riddles that bars Aang’s progress toward returning to the physical realm.


Bizarre and spine-tingling character design chills our bones around Halloween time. But you can enjoy the weirdness of Koh any time of the year! Whether it’s in the original series, or through some other incarnation, watch out. Keep your face blank, or Koh will add it to his bank. 


Happy Halloween!

Monday, August 21, 2023

Strong Six: The Strongbad E-mails That I Will Quote on my Deathbed

 There was a somewhat obscure but mighty internet phenomena in the late nineties and into the early two-thousands that developed a cult following which remains strong to this day. The site was called Homestarrunner.com, and its flagship series was a webtoon called Strongbad e-mails. The site itself is full of hilarious content delivered through original characters, brilliant voice acting, innovative animation, and humor that threw out the rails from the beginning and makes a solemn vow never to get back on.


I am curious if anyone else runs into this phenomena with entertainment we discovered as kids. It's that hope that just maybe, when we find someone who has never heard of something we loved, that they will love it like we did and do. But then you show it to them, and find an unbridgeable gap. Sigh.



Yet, even as an adult, the humor and craftsmanship of Homestarrunner.com hasn’t died at all. As Brandon Sanderson would say, I do not believe the “Suck Fairy” visited Strongbad emails across the years. In fact, my appreciation for the quality there has grown with time. Not only do I still find it funny, I admire what the Brothers Chaps created, knowing it was before internet content was such a huge market.


Matt and Mike Chapman, the creators of all things Homestarrunner.com have quietly and very successfully uplifted big IPs such as Gravity Falls. They have done numerous other things from website creation, voice acting, writing, directing, and producing all kinds of content, including work under a contract with Disney XD. They seem like the sort of flexible and highly talented people who were in the perfect position as the internet was exploding. It always does my heart good to see the creators of content I love actually continuing to grow and develop more great stuff, including holding their own amongst the bigwigs of commercial entertainment.

 


I remember my first time watching a Strongbad email. I was at my sister’s in-laws’ house and her husband’s younger brother was with me and my older brothers. I’m not sure what the first episode I saw was, but I know that we were all hooked for good from that moment forward.


My brothers and I have been leaving voicemails in the voices of our preferred characters with quotes from the site for years. We really can’t have a conversation without quoting something from Strongbad. It’s such a common part of the fabric of our shared vocabulary that I’m not sure how to state the depth of our indoctrination into the Strongbad email subculture and do it justice.


The most recent Strongbad e-mail was released a year ago, and the website continues to get improvements and little updates here and there.




Here are six of the Strongbad e-mails that get quoted most often by me, to this day, and which would be a great intro if you need more zany internet content to waste your time with:


Sbemail #120: Radio

The appearance/voice mismatch, and the spot-on characterization of public radio, drive-time morning show, and college radio stick in my head with ferocity. Strongbad’s various characters within characters really shine in this one. Matt finds different characters and colors through Strongbad and makes the toon way more effective than it has any right to be. Stay tuned for partial excitement!


Sbemail #6: Depressio

A very early episode, the gag in this one never stops making me laugh. Strongsad, Strongbad’s sensitive and painfully disempowered younger brother is too fun not to make the butt of the joke, but the added bonus is the way the toon has fun at the expense of the individual who submitted the e-mail to SB.


Sbemail #45: Techno

Very popularly quoted. Strongbad demonstrates how easy it is to create a techno dance hit with electronic rhythmic layers. Unfortunately, the Cheat learns that he is not allowed to throw lightswitch raves.


Sbemail #57: Japanese Cartoon

People often quote the blue hair moment as Strongbad transforms himself into an anime character with some resemblance to mega man. There are many episodes like this that break down the essential building blocks of a genre from entertainment and give it a delicious SB twist. 


Sbemail #121: Part-Time Job

Strongbad talks about his part, part, part, part, very part-time job. And we see Bubs’s management skills at work. Also, remember, pictures with the tragic clown-dog ain’t free!


Sbemail #58: Dragon

Trogdor seems to be the most popular episode people quote when Strongbad comes up. If they haven’t seen anything else, they have heard the Trogdor song. Those peasants aren’t going to burninate themselves. Some dragon has got to do it.




If you haven’t yet, set aside some time to go to the site, or the Homestarrunner.com youtube channel, and prepare for some quality vegging. There are so many layers, from the random rabbit holes of each episode, to the easter eggs at the end. Maybe it's the voice-acting nerd in me, or the kid who was just discovering the endless entertainment of the internet, but I will certainly always have Homestarrunner.com and SBemails kicking around in my brain.

Friday, July 28, 2023

Escaping the Web of Perfection

Lately I've been thinking about why we get stuck. I'll apologize in advance, this post is being written in the middle of the night, but hey, if you can relate to my journey of learning to let go of perfectionism, there might be something in here for you.

Before we get into all my rambling, the main takeaway is this: go as big as you want with your life, but find joy in the little things. Some people don't need this lesson, but it took me years to figure it out. Lots and lots of years. Anyway, here we go.

Perfectionism traps us in a cycle of unrealistic expectations.

We love stories about The Chosen One. Although this trope has savior-based themes, there’s a more Arthurian ideal to these stories than there are biblical principles. The comic book heroes in TV and movies have dozens of forms of this trope, and of course Harry Potter, His Dark Materials, and others show a main character with either singular powers or a destiny that forces them into a quest to save the world, the universe, the multiverse, or reality itself.  

Only YOU can save the world from Voldemort, Harry.

In TV and movies, there are hero and villain versions of perfectionism that depict unattainable strength and capacity. My favorite trope for villains is the One-Winged Angel, a fantastic villain with an alter ego of an other-worldly monstrosity. Sephiroth, the namesake of this trope, has his bizarro form, and his seven-winged angelic form, which complement his already intimidating human form. The villain is the ultimate barrier between the hero, and a peaceful world. Once defeated, the world can finally return to equilibrium. Of course, the villain is obsessed with his legacy, and may or may not have a ridiculously long lifespan, perhaps even an obsession with immortality. I’m looking at you, Emperor Palpatine.


"I will never be a memory." - Sephiroth

In reality, we mere mortals blur the lines between fiction and reality all the time. I’ve taken a lot of music history classes, and looking back the narratives in those history books were really depressing to me. Prodigies like Mozart, and Mendelssohn, or unspeakably dedicated masters like Beethoven or Brahms are on such a high pedestal that 200 years later people drool over their musical creations. We struggle to comprehend how much back-breaking work is required, not to mention the bio-psycho-social lottery at play in the production of genius-level creative work.

On top of that, as a musician, you’re expected to strive toward impossibly high standards, and keep a mental catalog of performance based norms that guide your many, many hours of practice. Every rehearsal and every performance requires Olympic levels of concentration and awareness. And then musicians at these high levels of world-class performance just live there. The career-span of professional musicians may be longer than that of professional athletes, but the cost maintaining that level of performance often goes unspoken, because we might think twice before setting out on that journey if we truly knew from the beginning what it would take to succeed.

The quest for near-perfection can be exhilarating, but it is absolutely exhausting. This is part of why my professional music career morphed into a career in mental health. I earned a master's and doctorate in music performance at a big ten university, but in the midst of that work, my mental health was plummeting. I became much more fascinated in the language and art of building a healthy mindset because of all the therapy I had to do to maintain what sense of well-being I could still muster in my quest to graduate, and become a music professor.

I realized that I was living with a hustle culture mentality that was being glorified and praised, despite the fact that being a single-minded musician was a big part of the recipe for my silent internal anguish.


In fiction, unrealistic expectations are the undercurrent that props up the drama and wonder on both sides of the morality spectrum. To fight an out-of-this-world villain, you need a superhero. In real life, our roles are labeled with different words, but I’m afraid we put similarly fictitious expectations on ourselves.

For me, perfectionism was a constant demand for work with no access to fulfillment. It was a personal quest to reach a final yard line that inexplicably kept inching farther away.

Perfectionism is very event oriented. It might seem to be based on skills and progress, but in truth it is about scoring a hit from an imaginary audience. Perfectionism is an addiction to the dream of being good enough, better by comparison, or freedom from human weakness. Even a huge success can be ruined by a tiny flaw, no matter how trivial. Perfectionism has a childish tendency to blow up over even the most innocent reality check.

Is there any escape from this web? I’ll tell you what has worked for me.

My perfectionist journey is still with me all the time. I’ll probably always have the tendency to be hard on myself for little things. But practice in basic gratitude and acceptance shifts the value from achievement to processes.

Instead of rewarding myself just for completing big goals, I reward myself for the simplest, smallest bite-size tasks that lead the way to reaching those goals. For example, I give myself a pat on the back just for opening my computer, instead of beating myself up for only typing fifty words instead of one-hundred. I acknowledge that getting out of bed in the morning is one of the hardest parts of my day, rather than focusing on the fact that I slept in an extra twenty minutes after my alarm went off. The shift from self-criticism to compassion has been slow, discouraging, and very quiet. But it has made a huge difference. Getting out of bed in the morning has become easier. I have more reasonable expectations for myself, and other people. I laugh more. I am more confident. I even have more energy for work and my family. 

I kid you not, perfectionism can be an enormous challenge to your mental health. 

Making the transition to a more intentional perspective with gentle expectations and detachment from the outcome of your goals can seem like giving up, or choosing weakness. But nothing could be further from the truth. The reality for me was that my perfectionism was motivated by fear. I was terrified I would never be good enough. I had to prove to people I was smart, funny, lovable, strong, and I was obsessed with any evidence that people could see my true humanity or weakness. Showing of my strength was not really about impressing people or getting their praise. It was what I did to prevent them from rejecting me, to avoid ever being told I was worthless. Of course, by constantly obsessing with maintaining a campaign to prove my self-worth, I had a really hard time relating to anyone on an authentic level. Look no further than Azula for an example of how obsessing about perfection is a recipe for a mental breakdown.


Perfectionism makes you deeply insecure. The idea of being normal sounds like a wonderful break, but the idea of losing what makes you “special” feels unbearable.

But that’s just it. Human worth itself is not achievement or even behavior based. Paychecks, concerts, research papers, harvests, awards ceremonies, all these events are a little blip on the journey of life. Of course if we glorify these moments to the point of neglecting the entire path to getting there, the path starts to feel like drudgery and we would rather skip our way through it to get to the good part. But what if the good part IS each step after step after step of getting from one milestone to the next?

Journey before destination.

Our worth is the constant. However, our beliefs and behaviors have a huge impact on whether we feel well or worthless. Perfectionism isn’t unhealthy because high expectations are a bad thing. It’s unhealthy because it sucks away our ability to find happiness along the way. It’s a continuous dissatisfaction with reality, ideas about how awful it is to be average, have human flaws, to fall short in any way of our dreamed version of the way things SHOULD be. Perfectionism is a sense that black and white is all there is, and people are just a bunch of winners and losers. Perfectionists never stop competing, training, fighting, strategizing, and they cannot ever accept defeat. They hustle themselves from one obsession to the next.

Yet, there are many people out there whose days are filled with small miracles. They fulfill roles at every level of society quietly and confidently, because they are comfortable focusing on the process instead of the outcome. They keep themselves moving in the right direction because each step matters, including the steps they take to care for themselves and others along the way. They can admit their faults because they don’t have to compensate for them out of fear. They are able to delegate when it’s best to do so, and when it’s time to burn the midnight oil, they do it, with a deal that they will get more sleep the next few nights and not feel guilty. In contrast to team Azula, team Avatar find ways along their journey to find little joys, and bond together, despite many moments of falling short.


We’re all just humans in this world. And just being human is glorious. We are each the hero of our own journey. The big bad guy at the final boss level isn’t conquering the world with eldritch horror, he’s undermining our ability to find true and abiding satisfaction through our relationships and daily routines. The villain in our lives isn’t our human weakness, it’s the happiness trap that says you’re failing if your life isn’t constantly maximizing. We conquer that bad guy when our ability to accept reality with gladness expands.

Last Sunday we had a discussion surrounding this talk. It's a beautiful ten-minute piece on allowing things as they are to take on divine meaning. We can see the hand of God in our lives without pushing ourselves constantly passed the point of diminishing returns. I looked around the room full of adult men, and it seemed every one of them could relate to the theme of perfectionism, often very deeply. I would hope that all of us will find more compassion for ourselves first, and take moments to acknowledge that life is hard. What a great idea it is not to make it harder for yourself, except in the direction of finding real, enlivening fulfilment.

Men are that they might have joy. And there are so many ways to really be happy and joyful. You don't need to be a superhero. Chances are more than one person in your life sees you as a hero, just because they watch you being you. That is good enough.

Friday, July 21, 2023

Mysteries, Murders, and Mayhem

I’m not sure when I realized I love murder mystery and crime investigation shows. But I’ve wanted to write about this topic for a while. The murder mystery is a very broad category, from the goofy consultant (Psych) to the breezy sleuthing of a hobby-detective (Murder She Wrote) and the serious and dramatic (Broadchurch). Others mystery and crime shows highlight the science of crime scene forensics (Bones and CSI). Others present a more theoretical or high-tech approach to investigation (Numb3rs, or Person of Interest).



I love them all. When I start listing the ones that I’ve watched, either partially, or from beginning to end, I’m realizing I’ve spent a lot of time in this genre.

The basic template of the murder mystery gives you the set up, or the crime scene, the investigation, and then the killer is caught, case closed. Some more complicated shows follow a single crime for many episodes, or entire seasons. Others visit old crimes, or leave a sense of ambiguity, questioning whether the detectives actually did their job, and whether the killer got the best of them. Not sure why people enjoy endings with a deliberate lack of closure, but I can understand how, at times, a formulaic plot line that relies on absolute certainty as predictable as the sunrise in work as complicated as law enforcement doesn't read as believable or realistic.


There’s a balance in murder mysteries. The investigation process, which presumably should take days or weeks, gets compressed into a few, or even one short episode. There’s also a sense that the suspects or people adjacent to the crime give predictable responses to the cops, or reveal very quickly the sort of information that conveniently leads the detective to a narrow band of two or three suspects with intriguing motives and uniquely shocking back stories.

Anyway, enough general ideas. I’ll tell why I love a few of my very favorite murder mystery shows, and maybe we’ll have some fun talking a bit about the genre along the way.



The Killing

So, the thing about this show is if you enjoy your heart getting ripped out a thousand times, you’re coming to the right place. The suspense and the twists and turns are in perfect harmony with character development and the unfolding of the investigation. 

The Killing takes places in Seattle. A detective becomes involved in a case of a child found dead, on the day the detective is meant to leave her job, and join her fiance in Sonoma. Well, we not only see the case blow up and involve the Polish mob, the election for mayor, the school system, and a nearby casino, but our lead detective’s mental health and history of obsessing with cases to the point of mental breakdown. It sounds melodramatic, but the Killing is acted and written so elegantly, you forget entirely that you’re watching TV.

Disclaimer, I’ve had people recommend seasons 3 and 4, but my review is focused on seasons 1 and 2. The case of Rosie in these first two seasons just gives me goosebumps when I think about how unforgettable the storytelling is. This show is not for you if you prefer lighter TV. A friend once told me they heard a mental health professional say, “If you enjoy watching true crime on TV, you should ask yourself why other people’s trauma comforts you.”

The Killing isn’t true crime, but boy is it traumatic. The answer to why this show comforts me will have to be the subject of another post, and probably a different blog entirely. ;) Suffice it to say, when TV takes tragedy seriously, it gives us the chance to also take healing and resilience seriously as well.



Endeavor

So, I am going to leave out a bunch of context for this show. It is a very carefully crafted portrayal of police work in Oxford, England in the 60s and 70s. I like to describe it as Sherlock Holmes meets British NYPD Blue. Endeavor is a brilliant detective surrounded by corruption and a senior officer who does everything old school, and by the book. However, their relationship does transform over the seasons from hotly contested differences to eventually a thrill as they really start to work together to take down crime.

Every episode is about the length of a film, and the camera work is particularly interesting. Plus, british accents just make everything a little more easy on the ears, so I can’t not enjoy that part.



Monk

I first discovered Monk at BYU-I with my roommates. Tuesday night, I believe, we watched Chopped marathons on Food Network. If we weren’t watching college football other days, we might have been watching Monk.

The combination of Obsessive Compulsive Disorder (OCD) and brilliant detective work are simply a match made in heaven. Tony Shalhoub just never gets old as Monk. And if you’re looking for the family friendly pick on this list, Monk is a show the whole family can enjoy (I can’t promise there won’t be an occasional innuendo, or hint of a gruesome crime scene… and then there’s that one episode with the nude beach. Nevermind, if you’re squeamish don’t watch this with your kids unfiltered.)

It’s funny, for a while I had this impression that the series finale was awful. Then I went back and watched it again, and I realized that it was actually as close to perfection as is humanly possible. Monk is definitely up there as one of the funniest and most enjoyable detective shows to watch and re-watch. Nearly every episode just brings the magic of a guy who is literally scared of almost everything in the world, but is also the best detective/csi consultant in all of San Francisco. It also has a very touchingly gentle approach to showing how a person deeply wounded by grief and loss can eventually despite years of struggle.

Man, I really get into the sad descriptions of these shows. Monk is funny, guys. A little sad, but mostly funny. You’ll love it.


Medium

My Father-In-Law has enjoyed this show for years, and I got exposed to it after my wife and I got married. I’ll explain in a minute why it has made an impact on my marriage.

The premise of this show is that Alison Dubois, a woman living in Phoenix with her family is in the midst of working for the District attorney, and realizes that messages she receives from the dead are giving her the information they need to solve crimes. Every episode finds a new variation on the ways the dead, or even other psychics, could communicate to Allison, and either help, or hinder her work in catching killers and criminals.

The other thing about this show is that the domestic chemistry between Allison and her husband, Joe, feels so gut-wrenchingly close to the reality of being married. Intimate relationships expose our differences, and how stubbornly our personal style of communication and other cardinal features keep us in the same dance as a couple, including conflicts over traits that just don’t change. Despite loving each other and being very good, supportive people, Allison and Joe always find themselves on opposite sides of an issue. That issue is usually the fact that Allison feels deeply compelled to act on her visions, and Joe persistently reminds her that her visions are not an exact science, and she could just as easily destroy an investigation as she could solve it if she is not carefully considering all the factors associated with the vision. 

Their ability to move past disagreement and recover their common ground shows that successful couples don’t avoid arguments, but they become skilled at communicating their differences while return to the common ground of their love and commitment to each other regardless of their different opinions. This kind of nuanced approach to family dynamics takes this particular show far beyond its basic premise. But seriously,the crimes and mysteries are pretty dang fun in this show too.


Hope you enjoyed this list! If you want to discuss more about murder mysteries, let me know! Which one is your favorite?

Friday, June 23, 2023

Will it bend? Or will it break? Netflix Adapts Fan Favorite ATLA

Netflix is teasing the release of a new live action series next year.

There is a lot to talk about here, but first of all, let's take a moment. 

Avatar the Last Airbender is the right series to choose for a live action remake. A succesful remake would be absolutely priceless. If you ask me, you're crazy if you don't think the adaptation is worth the risk.

Aang and Appa

That being said, I know it’s crazy to say there isn’t a good chance it could another maddeningly tone deaf iteration of what happened with the Avatar movie in 2010. The stakes are high.

It’s a sad, sad parade of Hollywood business deals that take our childhood favorites and disfigure them as soulless copies. I’m thinking of Disney's relentless live-action remakes of their entire catalog of cartoons, mostly. Netflix seems all too eager to follow suit. We'll see if The Little Mermaid breaks the cycle of persistent duds. Personally, I'm waiting for it to be released on Disney+. The positive reviews I hear give me some tentative hope, but not enough to spend money on theater tickets. In the interest of full disclosure, I never saw the 2010 Avatar movie. If you have talked to anyone about that movie, you probably know why. The overwhelming disappointment in that movie was enough to convince me not to waste my time.


Kiawentiio Tarbell as Katara

I am willing to hope, tentatively, Netflix could work things out, but here is my concern.

What were the creative differences that led the original creators of Avatar, Brian Konietzko and Michael Dimartino, to
leave the project?

In 2018, it was announced the original creators of ATLA would be executive producing and working as showrunners of the Netflix adaptation. However, both of them left the project in 2020 citing "creative differences" with Netflix. Without these two having any involvement whatsoever with Netflix's direction for the series, it's easy to imagine a number of ways the series could go wrong.

My hope is they get at least a few things right.

The original series meticulously consulted experts in many different disciplines of martial arts. Seeing these moves with real actors would bring a whole new dimension to the experience. A good kung fu movie, to me, is the pinnacle of the action category. With ATLA, the storytelling and the action were inseparably connected. It's a winning combination that I am excited to see again.

Ian Ousley as Sokka

The original Avatar was emotionally dynamic. Every episode was peppered goofy jokes and slapstick comedy, but also put a spotlight on deeper, more mature emotions. The sadness, anger, and desperation in the story arcs of entire nations, as well as the characters transcended what anyone ever expected from an after school special. This remake just needs to honor a few of the big moments with those deeper emotions, and give us some laughs, and it would already be way ahead of most live actions adaptations.

Dallas Liu as Zuko
Art from r/TheLastAirbender, by u/VeganCowJuice

We have an undisclosed amount of time left to wait to see how Netflix does with this series. There is a lot riding on it, as Netflix values its potential enough to invest 15 million per episode. We’ll see if their money was spent wisely.

Friday, June 16, 2023

Marvel Dad Jokes: Spidey Edition


Spider-Man.
Spider-Man.
Many faces.
Many fans.
Is he your friend? In your dreams.
Here’s some jokes, told in memes.
Look out!

Here come some memes and Dad Jokes about Spidermaaaaaaaaaan!

















Monday, June 5, 2023

Bob's Family in Song

Bob and Linda Belcher own a burger shop near a harbor somewhere on the east coast. They’re raising their kids, Tine, Gene, and Louise, largely in the restaurant, and have witty, yet hilariously mundane banter and delightfully bizarre adventures that make their show one of the few that I watch and rewatch, and never seem to enjoy less. I'm always up for more Bob's.

But it’s not just the plot or the characters that make Bob’s Burgers a winner for me. The music in this show communicates with the viewer in ways that make the stories and character moments that much more memorable. The music not only spans the lives of the family, but also a cascade of musical genres and styles. The soundtrack for Bob’s Burgers is a real treat. Here are few of my favorites. I’ll be talking a little bit more about the context of the songs that the songs themselves, you’ll just have to listen for yourself to hear how awesome the music from the show is.


The Bleaken is Coming

This up beat parody came in the middle of a Christmas episode with action/suspence elements that hovered around a townwide mystery, and a Christmas myth about a terrifying monster that steals kids’ presents from under the tree. The kids go on a quest at night to track down the monster before he comes to do his work and rob their christmas tree. The costumes, the music, everything about this moment is perfect.


Wheelie Mammoth

The kids use the local arcade as the target for a classic heist to win an epic prize, a go kart. However, their inside man, Mr. Fischoeder has a secret, and in order to best him, the kids have to go one step farther, and sweep an even better prize, a gigantic Wooly Mammoth wearing roller skates.


Whisper in your Eyes

Tina, the oldest and the closest to adulthood, is a devoted fan of the boy band, Boys 4 Now. A short but nevertheless confident heartthrob from the group, Booboo, takes a seat on a stool and leads to this confusing but somehow compelling love ballad.


Business Monster

So this song plays during the credits and recaps Tina’s business venture at school as part of a project where she made herself into an successful entrepreneur. As a kid who grew up watching adults move through the latest MLMs, and seeing the hustle culture still alive and well today, the “business monster” title has some very clear application to real life.


Mad Pooper

In this episode Tina, (isn’t she just awesome?) reports as an investigative journalist for the school newscast. However, she is framed in a series of drive-by poopings around the school. However, her coverage of the fecal felon eventually helps her exonerate herself from the accusations. The song here is just plain awesome.


Sugar Cookies

So, Tina again. Good thing we all love Tina so much, lol. In this episode, Tina takes a lifeguard training, mostly just to explore her inner feelings and physical attractions, and thus does not adequately address her terror of getting in the water. But she still gets to roll in the sand with her classmates, because sand is the sugar, and they're the cookies.


Electric Love

This is one of the many songs which is composed by Gene, the most musical of the Belcher kids. He and Louise collaborate to produce a musical for a school project, and get back at an annoying substitute teacher all at once. I definitely belt this in the car weekly.

Burobu Theme

Louise has many interests, one of them is collecting cards part of the Burobu game. The Burobu characters are numerous types of slugs as you would find in nature like “slugodactyl”, “slugocopter”, and “slugzilla”. I’m pretty sure I would have been a devoted fan if Burobu had been an action anime for kids back in the day, if this theme song is any indication of the quality of the show that would have accompanied it.


Not the Forgiving Type

Louise also collects figures and toys, her favorite being a light-up doll called Kuchi-Kopi. Well, at one point Kuchi gets accidentally dropped into the toilet, and to dry him off the family puts him into the oven. Louise is sick at the time of all this, and when she finally gets Kuchi back, he has melted into a shocking sight. Needless to say, the episode takes the family on a long journey of reconciliation, and lots of singing.


Play Dates

So Louise has a classmate named Millie who has an unhealthy and terrifying obsession with Louise. In this episode, Louise is on a mission to clear her name from some horrifying acts against the school counselor’s crocheted teaching dolls. Millie uses Louise’s predicament as leverage to spend as much time playing with Louise as possible, triggering a long sequence of play dates, play dates.


This Wedding is My Warzone/I Do

This is a great example of Linda and Bob’s ability to pull off a great duet together. This episode features a wedding, catered by Bob and family. The song highlights Bob’s fierce dedication to his craft, and Linda’s brutal honest about the bride and groom, whose wedding encounters one mishap after the other.


Snail and Newt

I chose a song from one of the newest episodes because, man, I either got something in my eye, or Bob’s burgers got me feeling emotional. This entire episode follows Linda trying to hold onto her kid’s childhood by encouraging the writer of one of the family’s favorite children’s books to continue the series. The author though, of Snail and Newt has already moved on, which Linda cannot accept. Anyway, this song is a fond farewell to childhood, and I need to stop writing now because just singing it to myself give me, as a dad, ALL of the feels.


I Love you so much it’s Scary

Boys 4 Now release a song and music video around Halloween that pays homage to Thriller, and creates a brilliant pop Halloween tune that I have been known to blast in my kitchen from time to time. Do yourself a favor, listen to this one.


With over 150 songs to choose from, Bob's is jam packed with great puns, great music, everything you could want if you're looking for a heartwarming and saucy adult cartoon.