In Hamilton, Jefferson is one of the antagonists. He's chillin' like a villain. I mean, he's a totally bad dude and he is sooo annoying! (Cool hair and jacket, though!) In fact, in the musical, Jefferson is probably the only character who has a bigger rivalry with Hamilton than Aaron Burr. (For a defense on Burr, see here.) But was Jefferson really such a bad guy? Well, yeah, he was. The dude owned more slaves than any other president. He has been called the "Monster of Monticello". And even Lincoln -- Lincoln, for goodness sake! -- even Abraham Lincoln said he "hated Thomas Jefferson". I mean, if that's not a knock to your ego, I don't know what is.
But let's examine the character of Jefferson for a minute. Was he really as bad as Lin-Manuel Miranda makes him out to be? Let's look at the two cabinet battles, so expertly crafted by Lin-Manuel Miranda.
In the first cabinet battle, Jefferson criticizes Hamilton for wanting to build a strong federal government and have richer states relieve the indebted states of their financial owings. So in Jefferson's mind, he wants each state to pay for their own debts. The country was young and just getting started. If I was young and was doing well financially because I worked hard and got a good job, I would be pretty miffed if I was told I had to give a big portion of my hard-earned money so I could help out my lazy, good-for-nothing neighbor who just couldn't hold a job. Sure, that's a simplistic way of looking at the issue, but that's what it boils down to. Jefferson didn't want southern states to pay for the north's debts. Hamilton makes some great points about slavery and Jefferson's absence during the revolution (and he does a pretty mean impression of Jefferson's silly dancing), but in the end, Jefferson's plan was favored and for good reason. Hamilton had trouble getting his plan approved because it just wasn't well crafted for the situation the country was in at the time. In the show, the only reason Hamilton's financial plan was approved was because Madison and Jefferson wanted to "work a little closer to home".
In the second cabinet battle, Jefferson wants to aid France during the French Revolution. Giving aid to a country fighting for independence, and repaying the favors they gifted America previously? These are not the actions of a villain! Jefferson (the character) really is an idealist who just wanted to help out a country in need. Hamilton just makes a show of pretending to be a decapitated monarch. (It makes for a hysterical line, though!) And for a guy who fought to have all the states rally together to help each other financially, it's interesting that he didn't want to rally his own country to help another country in need. And Jefferson makes a really good point: Hamilton really didn't have much power without Washington on his side.
The other big "villainous" thing Jefferson does is expose Hamilton's perceived embezzlement, which in turn exposes Hamilton's scandalous affair with Maria Reynolds. Umm, if I suspected that a coworker was embezzling funds, I would also "follow the money and see where it leads". And to his credit, Jefferson isn't the one who exposed Hamilton's affair. Hamilton did that himself. Jefferson wasn't the villain. He was just a guy who was following his convictions. As Hamilton himself said, "Jefferson has beliefs," which is probably why they fought on like seventy-five different fronts.
I have to say, I'm lukewarm about Thomas Jefferson, the real man. Sure, he wrote some pretty inspiring words (influenced by Thomas Paine, of course), but he also did some pretty despicable things, including having his own affair with a slave. (Talk about scandalous!) But in the musical Hamilton, Jefferson is portrayed as the bad guy, but he's not really. He's just fighting for his own beliefs, and he's going about it in politically appropriate ways.
I mean, if you want to know who the real villain is, it's King George. That bloke spits, he has to be evil! Bring a poncho if you sit in the splash zone.
Showing posts with label Hamilton. Show all posts
Showing posts with label Hamilton. Show all posts
Monday, July 13, 2020
Friday, July 10, 2020
In Defense of Burr...
Hamilton was released on Disney+ last week, and if you haven't seen it yet, what are you doing with your life?! Seriously, go watch it now. I mean, eve if you've already seen it 14 times like I have, go watch it again. I'll wait.
Burr is the self described "villain in your history". And he's the antihero narrator, inspired by Judas in Jesus Christ Superstar, Che in Evita, and even the Narrator in Into the Woods. Burr tells us within the first few minutes of the musical that he's the dang fool that shot Hamilton. (He says "dang", right? Or is that just what I make my kids say when they sing along with the album?) So we know right up front that this is the bad guy. To further drive home his status as the villain, Burr complains (okay, he whines), he's arrogant, he fights against the hero. Burr is the antagonist. The Villain with a capital V.
But is he?
Burr and Hamilton are immediately put at odds with opposing life philosophies. Burr believes he is best off if he can "talk less, smile more", because the more you talk, it "guarantees free ammunition for your enemies". Whereas Hamilton would "rather be divisive than indecisive," that you should have beliefs and stand for something. Burr: Wait for it; Hamilton: I am not throwing away my shot. (By the way, check out the best lines from every song from Act I and Act II.)
Interestingly, when Burr finally adopts Hamilton's philosophy by not throwing away his shot, figuratively (running for president) and literally (he uses his shot to kill Hamilton at the fateful duel), that's when things go wrong for Burr. Not throwing away your shot is admirable, but is it also admirable to talk too much, to be abrasive, to "exhibit no restraint"? Burr calls Hamilton "intemperate" and Hamilton himself agrees that Burr's grievance is legitimate.
Burr is not the villain. (To be clear, we are talking about the character Burr, not the real life Burr. The real life Burr was a pretty nasty fellow.) Burr is most definitely the antagonist of the story, but only when told from Hamilton's perspective. From Burr's point of view, Hamilton's actions have had some very negative effects on Burr, Hamilton's disrespect being a common thread in Burr's career and life. From Burr's point of view (or even from Jefferson's point of view), Hamilton is the constant thorn in Burr's military career, Burr's legal career, Burr's political career, and even in Burr's personal life. A. Ham is the villain, not A. Burr.
But if that were really the case, what fun would that be? Plus, if Burr weren't the villain, we probably wouldn't get to see him do that crazy chicken dance in "The Room Where It Happens".
Burr is the self described "villain in your history". And he's the antihero narrator, inspired by Judas in Jesus Christ Superstar, Che in Evita, and even the Narrator in Into the Woods. Burr tells us within the first few minutes of the musical that he's the dang fool that shot Hamilton. (He says "dang", right? Or is that just what I make my kids say when they sing along with the album?) So we know right up front that this is the bad guy. To further drive home his status as the villain, Burr complains (okay, he whines), he's arrogant, he fights against the hero. Burr is the antagonist. The Villain with a capital V.
But is he?
Burr and Hamilton are immediately put at odds with opposing life philosophies. Burr believes he is best off if he can "talk less, smile more", because the more you talk, it "guarantees free ammunition for your enemies". Whereas Hamilton would "rather be divisive than indecisive," that you should have beliefs and stand for something. Burr: Wait for it; Hamilton: I am not throwing away my shot. (By the way, check out the best lines from every song from Act I and Act II.)
Interestingly, when Burr finally adopts Hamilton's philosophy by not throwing away his shot, figuratively (running for president) and literally (he uses his shot to kill Hamilton at the fateful duel), that's when things go wrong for Burr. Not throwing away your shot is admirable, but is it also admirable to talk too much, to be abrasive, to "exhibit no restraint"? Burr calls Hamilton "intemperate" and Hamilton himself agrees that Burr's grievance is legitimate.
Burr is not the villain. (To be clear, we are talking about the character Burr, not the real life Burr. The real life Burr was a pretty nasty fellow.) Burr is most definitely the antagonist of the story, but only when told from Hamilton's perspective. From Burr's point of view, Hamilton's actions have had some very negative effects on Burr, Hamilton's disrespect being a common thread in Burr's career and life. From Burr's point of view (or even from Jefferson's point of view), Hamilton is the constant thorn in Burr's military career, Burr's legal career, Burr's political career, and even in Burr's personal life. A. Ham is the villain, not A. Burr.
But if that were really the case, what fun would that be? Plus, if Burr weren't the villain, we probably wouldn't get to see him do that crazy chicken dance in "The Room Where It Happens".
Monday, February 17, 2020
The Best Line from Every Hamilton Song, Act 1
This week marks the 5th anniversary of Hamilton's opening! And it's President's Day, to boot! To celebrate, here are the best lines from every single song from Hamilton. (For Act 2, see here.)
“Alexander Hamilton”
And me, I'm the damn fool that shot him.
It's a gut punch right from the beginning. The villain narrator is a fun twist that goes back to Pippin, Into the Woods, Evita, and Jesus Christ Superstar.
“Aaron Burr, Sir”
I may have punched him. It’s a blur, sir. He handles the financials?
You punched the bursar?
Great use of rhyme and humor.
“My Shot”
I’m past patiently waitin’. I’m passionately smashin’ every expectation, Every action’s an act of creation! I’m laughin’ in the face of casualties and sorrow. For the first time, I’m thinkin’ past tomorrow!
The whole song is a masterpiece, so it's hard to choose one line. But I love singing this particular section.
“The Story of Tonight”
Tomorrow there'll be more of us!
“The Schuyler Sisters”
The whole song is great, and there's not much variety to the lyrics. But this particular line is just so full of hope and faith.
“The Schuyler Sisters”
And Peggy!
“Farmer Refuted”
This just makes me laugh. And I love the gif! (See above.)
“Farmer Refuted”
Is he in Jersey?
I'm a New Jersey native. I approve of this.

“You’ll Be Back”

“You’ll Be Back”
I will send a fully armed battalion to remind you of my love.
First, Lin-Manuel Miranda is a genius. Second, Jonathan Groff is a genius. Third, this whole song is genius. Fourth, this line is genius.
“Right Hand Man”
“Right Hand Man”
Hamilton, come in, have you met Burr?
Yes, sir. We keep meeting.
Yes, sir. We keep meeting.
Solid characterization + Humor = Good entertainment
“A Winter’s Ball”
“A Winter’s Ball”
Martha Washington named her feral tomcat after him. (That's true!)
What a fun and obscure piece of trivia to include! But more importantly, it still serves to build Hamilton's character as a tomcat, who prowls after ladies.
“Helpless”
“Helpless”
I’m just sayin’, if you really loved me, you would share him. (Ha!)
Funny. Cute. And it's a funny way of showing Angelica's love for Hamilton.
“Satisfied”
“Satisfied”
Peach fuzz, and he can't even grow it.
I just really like this line. 🍑
“The Story of Tonight (Reprise)”
“The Story of Tonight (Reprise)”
You are the worst, Burr.
I would have chosen Hamilton's curse, but I didn't think that would be appropriate here. So I'm settling for this second best line.
“Wait For It”
“Wait For It”
I am inimitable. I am an original.
What a great line. I want a shirt with this lyric on it. (Maybe Burr isn't such a bad guy. See here for more on that...)
“Stay Alive”
“Stay Alive”
I’m a General. Whee!!!
A funny way to characterize General Charles Lee. And fun to sing!
“Ten Duel Commandments”
“Ten Duel Commandments”
You pay him in advance, you treat him with civility.
You have him turn around so he can have deniability!
You have him turn around so he can have deniability!
I don't know, I just really like Leslie Odom Jr.'s delivery on this. It's funny, but it's also a practical part of dueling (I guess).
“Meet Me Inside”
“Meet Me Inside”
Call me son one more time—
This is an intense line with an intense delivery by Miranda. He said it to the General, to Washington himself, to his mentor and the future First President. Hamilton always spoke his mind. Plus, the line is filled with Hamilton's backstory of being an orphan and growing up buckwild.
“That Would Be Enough”
“That Would Be Enough”
And if this child shares a fraction of your smile or a fragment of your mind, look out world! That would be enough.
This is just a beautifully written lyric. It definitely captures the essence of a parent's love for their unborn child, as well as for their spouse.
“Guns and Ships”
“Guns and Ships”
No one has more resilience or matches my practical tactical brilliance!
Daveed Diggs is an extremely talented actor, singer, and rapper. This song (along with "Washington on Your Side") lets him shine. He just makes the lyrics bounce!
“History Has Its Eyes on You”
“History Has Its Eyes on You”
History has its eyes on you!
If you're just reading this, you need to listen to the audio clip. This line is repeated a lot, but the particular one I've chosen is the one that ends the song. The lyric is nice, but it's the closing harmonies that make this one shine.

“Yorktown (The World Turned Upside Down)”

“Yorktown (The World Turned Upside Down)”
Immigrants, we get the job done!
I mean, this is a bold and inspiring lyric. It was so popular and got such applause that Lin-Manuel Miranda had to add a few extra notes after the line to account for the applause literally stopping the show.
“What Comes Next?”
“What Comes Next?”
Awesome. Wow.
Deadpan delivery. Anachronistic lyric. Instantly meme-able.
“Dear Theodosia”
“Dear Theodosia”
My father wasn't around.
My father wasn't around.
My father wasn't around.
The echoing sadness of this line is both haunting and reassuring. It's one of the first times we see an actual emotional connection between Hamilton and Burr. They both grew up without a father, and that spurred them to make a better life for their children. Plus it just sounds beautiful.
“Non-Stop”
“Non-Stop”
Hamilton wrote the other fifty-one!
There are lots of great lines in the Act I closer: “I practiced the law, I practic’ly perfected it.” “Yo, who the F is this?” Burr's soaring “I’ll keep all my plans close to my chest!” along with Washington's soaring “History has its eyes on you!” Or Hamilton's pompously earned interruptions of “Treasury or State?” But we will go with the frustrated line from Burr, intensely delivered by Odom.
For the best lines from Act 2, see here.
For the best lines from Act 2, see here.
The Best Line from Every Hamilton Song, Act 2
“What’d I Miss”
Where have you been?
Uh, France?
Daveed Diggs is a master at line delivery. And a silly question from Madison deserves a silly answer from Jefferson. (For a defense of Jefferson's character, see here.)
“Cabinet Battle #1”
Hey, turn around, bend over, I’ll show you where my shoe fits.
It's fun to think that Lin-Manuel Miranda created the setup for this line ("Ooh, if the shoe fits, wear it") and this delicious payoff.
“Take a Break”
<squeals>
How cool is it to hear Renée Elise Goldsberry and Phillipa Soo just squeal with delight like little girls.
“Say No to This”
I wish I could say that was the last time. I said that last time. It became a pastime.
“The Room Where It Happens”
I would have chosen Hamilton's almost-curse. But maybe that wasn't appropriate for this blog. Instead, we're going with this tight rhyme.
“The Room Where It Happens”
Talk less. Smile more.
“Schuyler Defeated”
This is one of Burr's first lines, and sets up his character so perfectly. It's enjoyable hearing Hamilton make fun of Burr for it. (For a defense of Burr's character, see here.)
“Schuyler Defeated”
They don’t need to know me. They don’t like you.
I have heard this same sentiment said many times in our current political climate. Heck, I've even heard this said during the Super Bowl. "I don't care who wins, as long as it's not the Patriots!"
“Cabinet Battle #2”
“Cabinet Battle #2”
“Should we honor our treaty, King Louis’s head?”
“Uh, do whatever you want, I’m super dead.”
“Uh, do whatever you want, I’m super dead.”
This line is funny, plain and simple. But to see Miranda perform it, while imitating the severed head of King Louis? That's comic genius.
“Washington on Your Side”
“Washington on Your Side”
I’m in the cabinet. I am complicit in watching him grabbin’ at power and kissin' it. If Washington isn’t gon’ listen to disciplined dissidents, this is the difference: This kid is out!
These are some tight internal rhymes. But it's also just another chance for Daveed Diggs to shine, and to show off his unmatched rap skills.
“One Last Time”
“One Last Time”
I’m stepping down. I’m not running for President.
I’m sorry, what?
I’m sorry, what?
Hamilton's shock and surprise is palpable.
“I Know Him”
“I Know Him”
<crazy laugh>
I would have gone with the King George's "This will be fun" line, but I thought better of encouraging him to use the Lord's name in vain. Instead we are going with this crazy laugh, hinting at King George's eventual demise into insanity. Clever.
“The Adams Administration”
“The Adams Administration”
Protean creator of the Coast Guard. Founder of the New York Post.
Inside Lin-Manuel Miranda's mind while writing: "I have all these great facts and pieces of trivia about Hamilton. How can I include them? Oh, maybe I'll just throw something random in here and there..."
“We Know”
“We Know”
Ya best g'wan run back where ya come from!
The better line is probably when Jefferson cuts off Reynolds's letter (to protect young ears, right?), but we will go with this awesome Caribbean-flavored line, reminding us that Hamilton is an immigrant from the Caribbean and was never really fully accepted as a citizen of the country he helped build. Sounds familiar.
“Hurricane”
“Hurricane”
I picked up a pen, I wrote my own deliverance.
This line simultaneously shows Hamilton as "a lot smarter ... a self-starter", as well as his incredible hubris. Plus, it's just well delivered.
“The Reynolds Pamphlet”
“The Reynolds Pamphlet”
I’m not here for you.
Ouch! Want some ice for that burn? Ooh, speaking of burns...
“Burn”
“Burn”
How they perceive you. You! You! You!
This is an amazing song. And Phillipa Soo's frustrated anger as she points out Hamilton's self-centeredness is heartbreaking.
“Blow Us All Away”
“Blow Us All Away”
Everything is legal in New Jersey...
This is the second time New Jersey is the butt of the joke. And as a New Jersey native, I love it!
“Stay Alive (Reprise)”
“Stay Alive (Reprise)”
Is he breathing? Is he going to survive this? Who did this, Alexander, did you know?
A mother's desperation. Gut-wrenching.
“It’s Quiet Uptown”
“It’s Quiet Uptown”
She takes his hand. It's quiet uptown.
The lyrics aren't anything special. The delivery is excellent. But the truly powerful part of this is the very act of forgiveness, the small gestures we take to forgive others, like simply taking somebody's hand. And if you're watching the show and not crying like a baby, what is wrong with you?!
“The Election of 1800”
“The Election of 1800”
Can we get back to politics? Please?!
After the one-two emotional punch of Phillip's death and the Hamiltons' reconciliation, this is a welcome comedic moment. And who would have thought that politics would be a much needed break?
“Your Obedient Servant”
“Your Obedient Servant”
Here’s an itemized list of thirty years of disagreements.
I edited out Burr's next line, but his reaction to Hamilton's detailed exhaustiveness is relatable.
“Best of Wives and Best of Women”
“Best of Wives and Best of Women”
Hey. Best of wives and best of women.
How sweet. And how sad.
“The World Was Wide Enough”
“The World Was Wide Enough”
This man will not make an orphan of my daughter.
This is an orphan determined to not let another orphan turn his daughter into an orphan. And Odom's delivery is perfectly tear-jerking.
“Who Lives, Who Dies, Who Tells Your Story”
“Who Lives, Who Dies, Who Tells Your Story”
Oh. Can I show you what I’m proudest of? (The orphanage!) I established the first private orphanage in New York City. (The orphanage!)
Why does this hit so close to home? We are reminded many times of Hamilton's status as an orphan. References to him growing up without parents are sprinkled throughout the entire show. Burr, too. So we have an emotional connection to Hamilton as an orphan, but it has been created subtly throughout the entire show. So when Eliza says that she is most proud of the orphanage (which yes, still exists today), it really hits us in all the feels.
For the best lines from Act 1, see here.
For the best lines from Act 1, see here.
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